Alfred J. Bruey

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Editors note:   For some obscure reason we had Alfred (Fred) as Alfreda at first, and our pronouns were just WRONG! We are both so sorry!

Alfred J. Bruey has been writing poetry for about 30 years. His poems have appeared in publications such as Snow Monkey, Slow Trains Online,
Pudding
and Erato. His chapbook,
Between You and Me, won second prize in the most recent chapbook competition at Pudding House in Columbus, Ohio.

The Poem Convention 

Poets are always running off to some convention or the other. Some of the poems get to go with them but some of them never get to go.
So the poems decided they would hold their own convention. They met on a Saturday at a big-city hotel. The haiku and senryu were so short
that they all got tall stools to sit on. The sonnets missed many of the meetings because they were busy counting syllables and checking accents
and examining rhyme schemes. The sestina was there but proved to be disappointing. It was expected to contribute much to the conference,
but it simply sat around calling attention to itself by announcing “I am a sestina, I am a sestina” when a less-complicated poem came near. The
unrhymed poems were constantly harassed by the rhymed verse. The rhymed verses accused the unrhymed verses of playing tennis without a net
although none of the poems had ever played tennis and very few of them knew what a net was. The language poems were there and they never
stopped talking, but no one understood what they were saying so they went back to their rooms, confused about what they had said and wondering
if it was what they wanted to say. The villanelles were classy looking but the other poems soon grew tired of their repetitions. They kept repeating their lines.
They kept repeating their lines. The limericks were a lot of fun, but many of the other poems considered them obscene and their constant humor made
them hard to take seriously at the business meetings. The prose poems arrived late and the other poems looked down their lines at them because of
their lack of rules. When anyone questioned the prose poem about whether it was really a poem, it would flex it brawny phrases and say “I’m a poem
because I say I’m a poem.” The prose poems were the bullies of the group so they pushed through a new by-law in their constitution that required all
minutes to be written as prose poems. The haiku and sonnets and other structured forms went along with this proposal but secretly agreed never to
appear in any publication that contained a prose poem.

 

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